JD Cullum, Paul Eiding, Jocelyn Towne, Rob Nagle, Peter Van Norden, John Apicella, Graham Hamilton Photo by Geoffrey Wade Photography
When the wonderful local theatre company, A Noise Within,
was essentially escorted out of Glendale, it took a couple of years for another
wonderful company to come to town, to Broadway, no less, to bring professional
productions to our fair City.
Having been a fan of Antaeus Theatre Company, a company of professional
actors, and directors and designers for many years, enjoying their work in
North Hollywood, it was exciting to see Glendale City luminaries attend the
‘ground breaking’ at the former electronics store just up the street from Brand
to continue the Antaeus tradition of reviving ‘classic’ theatre. Embracing both
ancient and relatively current dramatic literature, the appeal to those seeking
to be enlightened and those just ready to be entertained is blossoming
here. What I’ve discovered, though
having known it all along, is that when a community embraces an established
theatre company, as Glendale did for years with A Noise Within, and is now
beginning to embrace Antaeus, something happens. There is a deeper feeling than just spending an evening to
see a play.
We realize that this performance is happening before our
very eyes. It’s Living Theatre and
no two performances are alike.
Antaeus embraces the tradition of double casting. The Hothouse currently
up and running, presents two separate casts: The Ducks and The Pelicans. (See
the show and these references will be clear!) They do this for good reason. Company members are working professionals.
Most actors are members of Actors Equity and earn a living not only from their
work on the stage but in television and feature films. Company members: representatives of
Deep Space Nine and The Big Bang Theory were in attendance and other
recognizable folks are supporting members of the company.
Our Antaeus actors are professional. This preamble is to point up that when
you go to see Harold Pinter’s The Hothouse, and I highly recommend that you do
so… or any of the other productions scheduled for this season at Antaeus, you
will find yourself in the company of well trained professionals who love living
theatre.. both in the audience and on the stage. (Not sure that the audience is well trained, but you get the
picture.) The classics are presented to keep the company sharp and steeped in
the long tradition of dramatic literature.
Pinter is particularly challenging because his biting
British satire rides sharply on the ears. Literally, in this production. The crack of hard soles and heels on
the stage underscore the sharp edges of the institution, the hothouse, where
the ‘patients’ are known only by their numbers. Why? Because that’s the way we do it. That’s the way it’s always been done.
Director Nike Doukas’s
“Ducks” cast finds a comfortable and realistic ground of British accents. The
play’s crisp pace has an undertaste of cruelty, which may be the whole
point. Roote (Peter Van Noorden) is the doughty director of the .. what
shall we call it.. asylum? The Home? He rails and is confused. Subtly, Gibbs (Graham Hamilton) has his eye on things,
mostly clever self-preservation. Cutts (blonde,
pert and pointy Joycelyn Towne) enjoys time with almost anyone who can keep her
‘satisfied.’ The ambiguity of
who’s who as the story unfolds introduces us to Lamb (hapless JD Cullum) and
Lush (bombastic Rob Nagle). Moving us through a mystery of whom the father of a
baby boy born to an inmate might be, as well as the death of 6457: another
confusing and unhappy chapter in a day at The Hothouse. It’s Christmas, for Christ’s sake!
Rambling on, it’s clear that mismanagement, alcohol and just
plain incompetence must all build to a raucus climax: introducing us to the conclusion with
Gibbs and John Apicella (Lobb) on board to continue the status quo. Paul Eiding’s (Tubb) delivery of a
Christmas Cake is testament to how even brief parts are enlivened by fine
actors.
Kudos to tech and Julie Keen’s period costumes to a fine point!
The Hothouse by Harold Pinter
Performances: Jan. 25 – March 11 • Tuesday at 8 p.m.: Jan. 23 ONLY (preview) • Wednesday at 8 p.m.: Jan. 24 ONLY (preview) • Thursdays at 8 p.m.: Jan. 18 (preview), Jan. 25 (opening); Feb. 1, 8, 15, 22; March 1, 8 • Fridays at 8 p.m.: Jan. 19 (preview), Jan. 26 (opening); Feb. 2, 9, 16, 23; March 2, 9 • Saturdays at 2 p.m.: Feb. 3, 10, 17, 24; March 3, 10 (no 2 p.m. perf. on Jan. 20 or Jan. 27) • Saturdays at 8 p.m.: Jan. 20 (preview), Jan. 27; Feb. 3, 10, 17, 24; March 3, 10 • Sundays at 2 p.m.: Jan. 21 (preview), Jan. 28, Feb. 4, 11, 18, 25; March 4, 11 Kiki & David Gindler Performing Arts Center 110 East Broadway Glendale, CA 91205 (between N. Brand Blvd. and Maryland Ave.) Tickets and Information:
(818) 506-1983 or www.Antaeus.org
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