Trisha LaFache and Daniel Shawn Miller Photo credit Mary Ann Williams |
Peter Pan: The Boy Who Hated Mothers
by Michael Lluberes
by Michael Lluberes
How often do you brave Santa Monica Boulevard, the theatre
district adjacent to rock and roll and seven foot drag queens and emerge
having experienced real magic? This is not
that Vegas “make the elephant vanish with smoke and mirrors routine” but before
your very eyes the energy of a cast of actors so committed that the thrift
store set: flotsam and jetsam: the detritus of basic stuff all come together
with atomic energy: fission and explosions of wonderfulness that, when we are
lucky, leaves us with tears in our eyes and the knowledge that not only do you
believe in fairies, but you believe in love.
Michael Lluberes’ play imagines… really re-imagines J.M.
Barrie’s story of the Boy Who Wouldn’t Grow Up in such a creative way that it’s
a little hard to describe. Mary
Hamrick’s multifunctional set combines with superior lighting design by Tim Swiss and Zack Lapinski to transform the Darling bedroom into a rag tag
Neverland, a pirate ship and magical settings elsewhere all before our very
eyes. Director Michael Matthews
has cast actors who have decided to all be in the same play at the same time.
They keep a breakneck pace sparked by the acrobatic skills of Daniel Shawn
Miller as Peter. With doubling we
meet the Lost Boys/Pirates (David Hemphill, Amy Lawhorn and Jackson Evans),
Tinkerbell, Captain Hook (really sexy and evil to the core Trisha LaFache who
also plays Wendy and John’s mother Mrs. Darling). At once a little girl and a very necessary mother, Liza
Burns creates a multifaceted Wendy. Benjamin Campbell plays brother John.
Michael Darling has died as a baby. Mrs. Darling is melancholy until her
medicine perks her up. All children grow up… except one
and Peter is determined to never do so.
He learns deep life lessons and at one point in a fierce confrontation
with Hook must look into his own face as Hook declares that they are one in the
same. Lluberes’ script touches in a beautifully gritty way the familiar story
of the Pan who invades The Darling Children’s bedroom in search of his
shadow. The physicality of
Miller’s performance is exhausting.
Totally involved, his energy is contagious and the remainder of the cast
keeps up stroke for stroke.
The Blank Theatre has been around for many years. Founding Artistic Director Daniel
Henning has created a space for creativity at its highest level. This tiny theater invites the audience in from busy Santa Monica
Boulevard and from the first moment on the stage something extraordinary is
happening. I always go into any
theatre with a high expectation and often find myself stepping back looking for
the ‘stuff’ that will draw me into the essence of the play. Seldom does that
happen. Tonight, the ethos and
pathos of the writing combined with the genuine commitment to the story and the
action by the actors left me breathless and with hope for what the Theatre is
supposed to do every time:
entertain, elucidate, engross, entitle the mind to expand and accept the
cardboard and fluff as the real deal: the real moment. The real magic.
Photo Credit Mary Ann Williams |
This is one of the best productions that I have ever seen.
It brings back good memories of the seventies when The Company Theatre created
ensemble pieces like The Emergence and Children of the Kingdom. It is simply excellent work.
Peter Pan: The Boy Who Hated Mothers by Michael Lluberes
NOW EXTENDED THRU Sunday July 28, 2013
Thursday / Friday / Saturday at 8pm; Sunday at 2pm
ADMISSION: $30
Available
online at www.TheBlank.com,
or by calling (323)
661-9827.
The
Blank’s 2nd Stage Theatre
6500 Santa Monica Boulevard
(at
Wilcox), in Hollywood
Arrive early for parking.
The little Cafe at the Hudson is expensive, but really nice.
Arrive early for parking.
The little Cafe at the Hudson is expensive, but really nice.
No comments:
Post a Comment