The Tempest by William Shakespeare
Adapted and directed by Aaron Posner and Teller (yes, that
Teller)
It’s difficult to articulate with complete success the
wonderful casting, staging and over all effect of this production. South Coast
Repertory has brought drop dead professional theatre to Southern California for years and this is no exception. Superior to every single venue that
I’ve been fortunate to see theatre in, this jewel of a complex tucked away in
Costa Mesa sparkles with the anticipation of the wonderfulness yet to come. The money is on the stage!
In the sixties when artistic directors Martin Benson and
David Emmes rounded up some pals to do new theatre, South Coast Rep was a
seat-of-the-pants operation. Like
all new theatre companies, store front venues and creative ideas were all they
had to work with. With the
enthusiastic energies of dedicated company members Orange County beckoned
Benson and Emmes. Now, fifty years
later, the success of SCR’s ability to read their audience, produce quality and
exciting theatre virtually bursts at the seams.
As the audience filters in from the glittering foyer, Ariel
(superior Nate Dendy), Prospero’s (Tom Nelis) often invisible sprite, quietly builds a house of cards. Sleight of hand builds
anticipation. The magic yet to come is palpable.
Aaron Posner and Teller’s slightly skewed retelling of the
story of banished Prospero and his
lovely daughter, Miranda (lithe Charlotte Graham) evolves smoothly and
creatively.
In program notes, Teller mentions that he’s read The Tempest
several times. He awakened one morning as a kid having dreamed that he was
Prospero. The magician famous for his silence now ‘speaks’ in volumes bringing The Tempest to life.
Prospero has been cheated out of his Dukedom by evil
brother, Antonio (Luis Butelli).
After twelve long years stranded on an enchanted island, Prospero now
seeks revenge. The Tempest rocks
the stage as Prospero and Ariel conjure the storm with a paper boat and a bowl
of water. The ship is… apparently
… lost! The sailors and all survive: dry and safe at different locations on the island: all
manipulated by Prospero’s magic.
The lovers, Miranda and Ferdinand (goofy Joby Earle) fall immediately into
passion. Of course, Miranda, who
arrived with her father on the island at the age of three has never seen another
man.. unless you count Caliban and that would be a mistake.
Tom Nelis and Charlotte Graham in The Tempest by William Shakespeare. Photo: Debora Robinson/SCR |
Without retelling the entire plot, a special nod must go to the choices for the role of Caliban
(Zachery Eisenstat and Manelich Minniefee). Having seen two of the best Caliban’s in Los Angeles theatre
history, John Ritter at the Globe way back in the seventies and the three
limbed Caliban in the 1979 Anthony Hopkins production at the Taper, Eisenstat
and Minniefee’s performance must be seen to be believed. Sycorax must still be really smarting
from giving birth.
The arrival by the musicians, Trinculo (Jonathan M. Kim) and
Stephano (Eric Hissom) into the presence of Caliban brings the show literally into
the audience with pleasure. Shakespeare’s
clowns, when fully embraced as these are, add the exact amount of seasoning.
Daniel Conway’s multipurpose set features Rough Magic on the
upper level (A "spirit band," including a couple of chantoosies, featuring Miche
Braden, Joel David, Liz Filios and Matt Spencer).
Liz Filios, Joel Davel, Matt Spencer and Miche Braden in The Tempest by William Shakespeare. Photo: Debora Robinson/SCR. |
The music of Tom Waits and Kathleen Brennan lift the
production to set sail on the seas of a tour that started in Boston and have
landed beautifully here at SCR.
It’s a must see and a tribute to the genius of William Shakespeare.
THE TEMPEST
by William Shakespeare / adapted by Aaron Posner and Teller
South Coast Repertory Theatre
655 Town Center Drive
Costa Mesa, CA 92626
655 Town Center Drive
Costa Mesa, CA 92626
Evenings and matinees through September 28, 2014
Ticket Services/Box Office: (714) 708-5555
Check website www.scr.org
or call the Box Office for specific
performance dates.
No comments:
Post a Comment