The MET Theatre has deep roots in the land of 99 seats. More than thirty years ago, Bill Bushnell and his
LA Actors Theatre held forth there with excellent productions using
professional actors to high acclaim.
Today, Andrew Lloyd Webber and Tim Rice meet Hair meets La Cage Aux
Folles in Dolf Ramos and Marco Gomez’s cracker jack production of Jesus Christ: Superstar. A superior cast rocks the house upstairs
at the MET. It’s a musical celebration
in the midst of controversy about Actors Equity Association rattling sabers,
ready to gut the current 99 Seat Plan.
The irony is that Ramos and Gomez, producers of high quality musical
theatre in the tiny space on Oxford, actually pay their actors, hire musicians as
well as top notch technical staff.
A full house for a Sunday matinee means a couple of things. One is that
JC Superstar is a tried and true hit. Second is that with a cast of over twenty
five actors and musicians, you can guarantee at least a few full houses who
will stand to applaud. When word of mouth gets out, it’ll still rock on its
own.
Fact is that this DOMA production, not without its flaws,
will bring an audience of even total strangers to their feet and rightly
so. The Webber/Rice version of the
last days of Jesus are seen through the eyes of Judas, (terrific Jeremy Saje),
whose strong voice and dedication to the part bring chills. One distraction, however is that our standard ‘bearded lady’
memory of the King of Kings remembers him with long flowing hair. The hairpiece that equally strong Nate
Parker as Jesus sports was immediately an issue for me. From the leads to the ensemble,
costumes by Lauren Oppelt and commitment are consistent and well done. With the hip modern day approach
to the play, real hair for Jesus would have been just fine. Abandoning disbelief is crucial, even
in a rock opera. Excellent
performances include strong vocals by Renee Cohen as Mary Magdalene and Venny
Carronza as Herod.
Excessive stage fog seemed unnecessary, but the excellent
stage design by John Iacovelli and
an amazing live band directed by Chris Raymond make this a truly professional
production. Director Marco Gomez and choreographer Angela Todaro deserve double
applause for their precision. Over
all, this is a great presentation of a classic American Rock Opera.
DOMA is dedicated to musical theatre. It’s a must see.
Parking for the theatre is available east of Santa Monica with a few spots in the
neighborhood. Arrive
early.
Jesus Christ: Super
Star
By Tim Rice and Andrew Lloyd-Webber
Performances continue through March 22:
Fridays & Saturdays @ 8 pm, Sundays @ 3 pm
DOMA at The MET Theatre
1089 N. Oxford Ave.
Los Angeles CA 90029
Fridays & Saturdays @ 8 pm, Sundays @ 3 pm
DOMA at The MET Theatre
1089 N. Oxford Ave.
Los Angeles CA 90029
Tickets and Information:
323 802 9181
www. Domatheatre.com
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