There is a pure joy that comes with busting one’s behind on
a hard plastic chair in the depths of an industrial space to see the
Independent Shakespeare Company’s work.
I always thought that “agitprop” meant that one took whatever was at
hand and made art from it. Well, I
was wrong. It has to do with the
political aspect of art or theatre that artists make a statement with. I was headed off into a land of review
of the Independent Shakespeare Company’s wonderful production of Pericles, Prince of Tyre by Wm S with a
boost from George Wilkins (1576 – 1518), not only did my misconception of
“agitprop” get me off on the wrong foot, but I am not enough of a scholar to
have ever heard of Mr. Wilkins!
His history is a mixed bag that includes his being a minor dramatist of
the Times but also ran a brothel where Shakespeare would hang out. Thus, this
play may be a collaboration.
André Martin as Pericles PHOTO CREDIT: Grettel Cortes |
Pericles, Prince of
Tyre is a fantastical tale that may turn a bit on Homer’s epic tale of Ulysses. The twists and turns are each and all
presented beautifully by a tiny cast doubling and tripling to whirl poor
Pericles from one situation to another with logic that certainly is clear to
Wilkins and the Bard, but between adjusting to the actors’ dedication to the
language (all trippingly tongued with imaginative action nicely directed by
MELISSA CHALSMA), you really need a program to figure out who’s who. This is not to criticize because the
action moves a pace and the actors are so adept that even losing the thread now
and then doesn’t much matter.
The ISC is famous for their Shakespeare in the Park
presentations. However, tonight,
we now file into the rehearsal space, scene shop, wardrobe department, and offices
and performance space for the
Company. Emphasis is on Company
because unlike fancy schmancy programs at other theatres, ISC cranks out what
could be mimeographed programs lovingly typed on a typewriter that simply list
the facts. To me, this is
endearing because Budget is always an issue for these intimate theatre
companies. Had this company been forced to pay minimum wage for this show with seven
actors and an Equity stage manager, the approximate costs at the current AEA edict
of $9.00 an hour would have been in excess of $7,000 not including taxes, P and H, etc. etc., just to get to opening night with an
audience of about 35! But I
digress. This Company includes everyone and this diverse cast with creative
costumes by Houri Mahserejian lists their names simply and directly with
Director Melissa Chalsma listed last!
Andrè Martin as Pericles convinces us of his dedication not
only as an actor to the role, but drags us kicking and screaming through the
trials and tribulations of the young man off to find adventure. Here’s the tricky part. The protean cast is changing characters
so quickly that it might be a good thing for them to have team numbers that
would let the audience know who’s who as the Prince travels from his escape
from Antioch to Tyre and on to Tarsus and then to SomethingOpolis and on and on, eventually
back to Tyre. Kalean Ung is amazing as Marina, enchanting with her singing
voice also acting as Chorus/Narrator opening the play and closing it
beautifully. The attempt to
figure out the rest of the company and their roles got lost as I was drawn into
the story. Here they are. All Company Members who, thanks to fine
directing and their own excellent skills brought to life over twenty
characters. Director, also acting:
Melissa Chalma, Christina Frias, Daniel Jimenez, Nikhil Pai, Evan Lewis Smith,
Kalean Ung, and Andrè Martin. It’s
clear that these company members are dedicated to the work. Do your own research about the
story. It’s a quest, a tragedy, a
comedy and almost a history that may get lost from time to time in the details,
but over all is a real treat.
Okay, Helicanus might step back from his old age a little, but he was
old when Pericles took off from Tyre and left him in charge, I guess, but
that’s just a gray note. This is
an excellent production that will charm the pants off an appreciative
audience. Read a synopsis and bring
a pillow.
PERICLES, PRINCE OF
TYRE
By William Shakespeare and George Wilkins
The Independent Shakespeare Company
3191 Casitas Avenue #168
Los Angeles, CA
Thursdays, Fridays and Saturdays at 7:30 PM (Note the
curtain time!)
Sundays at 2PM
Through May 24, 2015
Tickets and Information:
818 710 6306
www.iscla.org
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