Billy and Ray
Written by Mike Bencivenga
Directed by Garry Marshall at The
Falcon Theatre
When Garry Marshall brought quality Equity theatre to Toluca
Lake many years ago, it was a sign that someone who had done well in ‘the
Business’ was giving back. This beautiful
130 seat jewel box reflects a classy attitude, providing quality stage productions
for all of Southern California. Marshall opened The Falcon in 1997 and for sixteen years has provided a venue
for new plays and established theatre. This is a tribute to what only those who appreciate
the theatre understand: giving back with art to the
community. Marshall, Dakin Matthews and Gates
McFadden (Ensemble Studio Theatre West at the Atwater Village) are among the
generous actors/producers/directors who have made a good living in
the land of TV and features who now present us with these, their gifts.
Marshall’s gift for spring is Mike Bencivenga’s well crafted
“Billy and Ray.” It’s 1943. WWII is winding down. Paramount seems bent on
making and releasing a gangster flick, “The Hitler Gang” before the end of the
war. This makes it difficult for
producer Joe Sistrom (excellent Anthony Starke) who has been lumbered with
producing it. Sistrom really wants
to find a way to get a script for Double
Indemnity written because he’s invested $15K of Paramount’s money for the
rights to James M. Cain’s dark novel.
L to R Anthony Starke, Kevin Blake, Shaun O'Hagan, Ali Spuck |
With the famous Paramount gate looming over Billy Wilder’s
Hollywood office, excellent set design by Keith Mitchell, we see that
there’s been a major dust up here with rubble and overturned lamps. Perfectly cast Ali Spuck as Wilder’s
super efficient assistant / secretary / accidental collaborator Helen Hernandez,
aids and abets as the pending partnership
between Wilder (Kevin Blake) and Raymond Chandler (Shaun O’Hagan channeling
Gregory Peck or Alan Alda as the play progresses) as they struggle to work
together to create what may become the film noir Paramount classic: Double
Indemnity.
Blake as Wilder slips in and out of his Austrian accent, but
still delivers the essence of the frenetic director and his wild approach to
making a movie. O’Hagan presents
Chandler as consistently staid and straightforward bringing his literary
conceit to the collaboration. Spuck as Helen is a perfect mordent, binding the story
together. Quick pace and snappy
dialogue is not the machine gun pop of His
Girl Friday, but the feeling of the forties is here with Marshall’s keen
direction, assisted by Joseph Leo Bwarie, credited with a flourish by Marshall
in the Talk Back after the show.
Raunchy, bawdy, silly and fun, Bencivenga’s two act romp is a must for film afficiandoes and folks who love a well spent evening in the theatre. The
author was forthcoming about the five year journey to bring Billy and Ray to production. His honest and direct approach to
clever dialogue with deep insights into both Wilder and Chandler are all on the
page. This is a stage play with
all the bells and whistles.
And, as Mr. Marshall points out with glee: The Parking is Free!
Billy and Ray by
Mike Bencivenga
Directed by Garry Marshall
Falcon Playhouse
Riverside Drive across the street from Bob’s Big Boy
Toluca Lake, CA
Through April 28, 2013
Tickets and information:
www . falcontheatre.com
818 955 8101
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