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Sunday, February 1, 2026

KID GLOVES AT THE SKYLIGHT A World Premiere

 (In the voice of Rod Serling..) "Imagine if you will.. a world of laughter, a world of cheer.. "  Oh wait..


Here's the thing.. When the world needs more entertainment for  children.. "Kid Gloves" a burgeoning competition reality show is set to find the next Shari Lewis or Mr. Rogers? The talent who come out of the woodwork to fill the bill are as eclectic.. even more eclectic as you might imagine.


Akin to American Idol.. but with back stage back stabbing and an Amazing Cast (Thanks to Casting Director Michael Donovan)  To say that the contestants are a 'mixed bag'  of talent is an understatement. 

How a relatively small company comes up with this truly amazing cast and a groovy three piece combo on Mark Mendelson's very. very colorful set .. dedicated stage hands and rocks the Skylight as it may have never been rocked before is a delicious treat .  

A panel of Kiddie Pros sit ready to crown the Next Big Thing in the KIDZ  streaming channel. 

KID GLOVES

It's a little embarrassing to gush.  I, as a rule, just don't gush. Gushing is for gushers.. 

But!

 If ever there was a 'must see' Hit that calls for Kudos?? ?  KID GLOVES is the answer.  Sadly, you might miss some of the terrific dialogue because of laughter. Oh sure.. no.. really.  Aww Come on.. Really?   Yes! Really!!

Okay.. this is why?

We enter the Skylight and are greeted by a live combo.
They set the tone of the evening.  

No Intermission!   Thank goodness..

Out pops Caleb. (Will Coller) the MC of the Kid Gloves Competition. .

We meet the panel.. Jonathan Slavin as Edmund the Elephant, Suzy Nakamura (Penelope) with her bunny pal and Professor Penguin,  Harry S. Murphy whose silly hat falls off to set the mood  for this truly wonderful Ninety Minutes of non-stop surprises.  

Get yourself a seat mate with whom you can exchange looks of 'what fun' and then settle back to enjoy this crazy competion.  

Kid Gloves in not a musical.  It's a well crafted piece of theatre with songs and very special characters and a fully dedicated cast, nary a klinker in t he coal scuttle.   A little song. A little dance.  A lot of fun.

To wit.. 

 Christopher Kerrigan as Joaquin, a ringer for Jack Black, who exposes the dark underbelly  of a guy whom we love at first light. 

As with American Idol, the panel of the Elephant, the sassy ventriloquist and Professor Penguin weigh in. 

As the contestants sit in a  'confessional' to discuss the reasons for their heart's desire  to be realized, we meet Meredith and Eddie (Heather Marsden &  Adam J. Smith). We are charmed  by their mutual devotion and partnership.   Well, for now.

Adroable Darla  (Natalie Lander) and her dolly (Dolly)  take stage and with dance moves and Super Pink Attitude knock it out of the park. Darla's got a mouth on her that would make  a sailor blush. to coin a phrase.

Jackson  (Joey Richter) is the most egotistical guy on the planet.  He extols his love of the Earth and living in his own far out universe with amazing energy. Jackson's attitude and  singing chops with great moves make you love to not like him much.

His gal pal Vicki.. (Lauren Lorati)   plays the foil to Jackson all the way to the walkiing Coke Bottle!  Recycle!

Will Collier as Caleb.  the host of the competition could not be more  perfect as a guy who embodies the best of the worst Game Show Hosts we've ever met.  Sincere and slick and totally lovable..

There's a fine line between parody and whatever a sincere parody might be.  There's no Nudge Nudge, Wink Wink that signals that the actors know they are painting with broad strokes. It's... unique in that the tenor of the performances might lapse into broader parody, but dirrector Richard Israel has this excellent cast selling the songs and the characters with sincere aplomb.. 

Aplomb??  Yes.. there's a depth to each of these products of Matthew Leavitt's imagination that teeters: broad comedy with Heart Felt performances.

I lucked into a seat mate who had taught dance to the dynmaic Darla and a lot of the fun of this show was turning to each other confirming that we had seen something special.

Mendelson's set looks expensive. The smooth transitions from tje KIDZ+ Studio Settiing with Panel, to the 'confessionals' to back sttage Craft Services and banter to another location??  The Green Room where it all comes to Big Old Climax! is wonderful.  

How one assembles a cast of high quality actor-singer-dancers, each of whom is totally devoted to the work may come down to the enthusiasm that the playwright, Matt Leavitt, exhibits and has shared every single time I've met him.  The synergy of the story, the characters, the songs and the very loopy whodunnit plot works because every single person and maybe a couple of stagehands? Are fully invested in their characters and the clever twists and turns of the plot.   

It is so much fun to write a rave. The effortless flow of compliments and having a seatmate who enjoyed the show as much as I and the rest of the audience makes for the kind of evening where you know that we have had  as much fin as the cast.  

It all works.

Please take a friend or make a party .. Come early for parking.  There's great Italian at Palermo.. or other good places nearby to dine.  Atrium is right next door.

Make it an evening and see how a professional production will leave you a little out of breath from the laughter.  Say Hello to Joaquin, Darla, Jackson and Meredith & Eddie.. Meet the panel, Caleb, too. and have some fun. 

Boy, can  we use some fun about now. 

Please tell them that Michael Sheehan  sent you.  Onstagelosangeles strives to tell the truth and we never gush.. Okay?.  

Cast

Will Collyer as “Caleb,” 

Adam J. Smith "Eddie,”

Natalie Lander as “Darla,” 

Joey Richter as “Jackson,” 

Lauren Lorati as “ Vicki,” 

Harry S. Murphy as “Professor Penguinpants,” 

Jonathan Slavin as “Edmund the Elephant,” 

Suzy Nakamura as “Penelope” (and “Bonita the Bunny”), 

 Christopher Kerrigan as “Juaquin.”

Crew: 

 Book and Lyrics: Matthew Leavitt; 

Music by Nathan Wang; 

Director Richard Israel; 

Music Director Anthony Lucca; Choreography by Christine Lakin; 

Scenic Design by ; Lighting Design by Andrew Schmedake; Costume Design by Rebecca Carr; 

Sound Design by Christopher Moscatiello.  Properties Design by Megan Trepani; 

Fight Choreography by Ned Mochel. , Casting; Michael Donovan, CSA & Richie Ferris, CSA. 

Production Stage Manager Amelia Tacy.  Produced by Village Green Productions and Sami Kolko

 

KID GLOVES: World Premiere!

by Matthew Levitt

The Skylight Theatre

Los Angeles, California

Thursdays, Fridays & Saturdays at 8pm; Sundays at 2pm 

Runs January 15th - February 15th

Tickets and informaton:

 https://kidgloves.ludus.com

Monday, January 26, 2026

BROWNSTONE AT THE OPEN FIST

O The new year  blossoms with the Open Fist doing what it does well :  another challenging production, the very interesting Los Angeles premiere of Catherine Butterfield's BROWNSTONE.   The play provides  an imaginative plot that successfully challenges the audience to sit tight andd do our best to keep up with the changes that take us from the 1930s to the Seventies to early 2000s in a believable interlacing of scenes.

On Jan Munroe's impressive set we do the Time Warp: shifting easily from one time period to the next.

As the plot unfolds, the history and secrets of "Brownstone" reveal themselves.   Ron West's fluid direction shuttles us from one situation to another revealing the lives of three pairs of occupants  of essentially the same New York City brownstone flat from  one  era to the next.

An opening montage introduces us to Deena (Rosie Byrne)  and Maureen (Amber Tiara),  a disparate pair of wanna be actresses in the 1970s. In the 1930s we meet a lovely bantering couple, soon to be lovers:  , Davia:, a artist  (Chelsea Spirito) and Stephen:    (Matthew Goodrich) a journalist. 

The third pair: a hot to trot high end stockbroker Jason and his gorgeous munchkin intended: Jessica, rising in the world of advertising. Isaac W. Jay and Jade Santana.

Howard Hawks meets Neil Simon meets Laverne and Shirley? That's more flippant than these scenes deserve, but it seems to represent the flavors of the performances in a dramatic way.

 Director West has guided, the especially feisty duo of Davia and Stephen  to take on the machine-gun patter of a 1930s movie. Excellent costumes by Mylette Nora buoy up their story beautifully.

At rise we meet a movie collage of the entire cast: a gathering of ghosts? No!!  It's a preview of twhat's to come.

When Deena and Maureen  breeze into their tiny flat, It's the Seventie. These young women have escaped The Barbizon to take the City by storm  Deena's on again off again Texas Accent and Privileged Family backing contrast big time with Maureen's modest budget. TV sitcom oveshadows a bit. Amped volume makes for high speed delivery.

Jason  and Jessica  present a somewhat dark Neil Simon aspect in the 21st Century. It bears south with very well invested performances.

We are drawn heavily to the performances, allowing pieces from each time period to cross over and intermingle. 

The Opening Night audience was on its feet and served up a well deserved Standing O.  

 Cast:

Deena:        Rosie Byrne

Maureen:    Amber Tiara.  

Stephen:     Matthew Goodrich 

Davia:        Chelsea Spirito  

Jason:        Isaac W. Jay

Jessica:      Jade Santana 

Creative team 

Scenic Designer  Jan Munroe

Lighting designer Gavan Wyrick Sound designer Kermit Frisbee Costume designer Mylette Nora Properties designers Bruce Dickenson and Ina Shumaker

Carmella Jenkins and Beth Robbins co-produce for Open Fist Theatre Company. 

Production stage manager 

John Dimitri

 

BROWSTONE by Catherine Butterfield

Directed by Ron West

Brownstone opens on Saturday, January 24 at 8 p.m., with performances thereafter set for Fridays and Saturdays at 8 p.m. and Sundays at 2 p.m. through February 28. Tickets range from $26 to $40, including fees, except opening night (Jan. 24) for which tickets are $54.75 and include a champagne reception following the performance.

Atwater Village Theatre 

 3269 Casitas Ave.

Los Angeles, CA 90039. 

 Parking is free is in the ATX (Atwater Crossing) parking lot one block south of the theater. 

Tickets and for more information call (323) 882-6912 or go to openfist.org

 


 

 

 

 



 

Sunday, December 21, 2025

Sad news..

From Simon Levy of the Fountain Theatre,  I have just learned of the passing of Dawn Didawick, the actress  / wife of actor Harry Groener. Both are Founding  Members of Antaeus Theatre Company in Glendale.

With the passing of Rob and Michele Reiner taking headlines..sadly.. those of us in the local Los Angeles Theatre Community will miss the bright light that Dawn has been .. 

Condolences and eulogies in E Communication are quick to pass.  

At every opening that I've attended at Antaeus, if Dawn was not in the production,  she was front row center with Harry to support the show.. 

A lovely and talented actress, Dawn will be missed..

Harry and Dawn were  together for 45 years..  A good run.

Please hold a kind thought for Dawn Didawick.. and for Harry at this difficult time.

Flights of Angels..

michael sheehan

onstagelosangeles

Friday, December 19, 2025

Party Time with Cindy Lou Who

Guest review by Amalisha HuEck

Edted.

Reocmmended

. "Who's Holiday," written in the style of Dr. Seuss by Matthew Lombardo, tells the sad story of Cindy Lou Who (Anica Petrovic who also produced the show). Cindy Lou is all grown up and expecting other Seussian friends for a Holiday Party.

Cindy Lou’s table features a full bar. This gal is no stranger to cocktails.

Alcohol may have played a major role in how Cindy  was ushered into adulthood by The Grinch!

Anica flows with ease through the rhythm of all those rhymes, breaking the fourth wall she reveals her story with adult humor in a very sexy, glittery Christmas outfits. In contrast to the irony of her plight, Anica presents this unique story to a full house. The text is R rated! and may not be suitable for children.

Highly recommended!

  Crew:

Jordan Adelman (Assistant Director/Stage Manager), Rebkah York (Assistant Stage Manager), Angela Manke (Costume Designer), Ben Barahona Ginsberg (Music Director), and Gregory Crafts (Lighting Designer).

“Who’s Holiday “runs through December 20th 

The Hobgoblin Playhouse, 

1516 N Gardner St. 

Los Angeles. 

Friday 12/19 at 10pm, and Saturday 12/20 at 5pm. There will also be a virtual livestream of the show on the 19th, and the link to the live will remain open after the live show ends. 70 minutes with no intermission.

Tickets $25.00

(323) 591 – 4894 www.thestagecrafts.com   

 

 

Sunday, November 30, 2025

HIENSERBERG REDUX.. THE REVIEW ..

Juls Hoover and Paul Eidig Lorch photo

After days of nursing my mangled  ego and a nice correspondence with Caameron Watson, the director of Heiserberg at The Skylight on Vermont in Los Angeles.. I can report that there's a show worth seeing and if you don't go, you are missing a bet . Two actors. A strange serendipitous meeting evolving poetically.

For those who may be following the drama of my missing press invitation.. I learned that the PR guy for this play told the director  that he had "not heard from me." That is true! The way it works is that the PR person invites critics ro review.   This guy has not sent me any invitations for over a year.. so long ago that I've forgotten..and the only reason that I know it's him is because of a Facebook notice that included his name.

But to Business!!!  HEISENBERG..

This beauty of a two hander is that it can be an actor's tour de force.  Yes.. And, the way that Cameron Watson has staged the play reflects not only a keen understanding of the characters: the loopy Georgie (wow!  Juls Hoover) and the mostly taciturn Alex (mostly taciturn Paul Eiding).  Of course , it's all in the text, but beyond the words of this kind and thoughtful .. and loopy.. play is the opportunity for interpretation. (It was staged a while back with two women as the characters)

Alex, the butcher, is vamped big time in the London Underground by Georgie. Alex is in his seventies and  Georgie's is his junior by at least half. She's a Jumping Jacks Jill and a little  hard to pin down until her story takes its time to settle.

One line that Watson seems to have captured in the banter and the eventual loving resolution of Alex and Georgie is all about music. Alex, the butcher! for goodness sake.. is a fan and afficiando of all music genres. He's also a tango dancer! .. At one point as, Alex and Georgie begin to click.. Alex says something to the effect that music is not the notes!  It's in the spaces, Alex says..  between the notes that make any composition become music.  

What Watson allows as Geogrie and Alex  grow close, is for them to take moments:  a sort of musical rest.. physically and in the dialogue as the importance of their connection evolves.

The set and lighting are crisp and supportive as we imagine The Tube Station, Alex's shop, etc.  The scene changes are simple and fluid.. Non-representational. Fine.

It's a play with the off the wall bouncing of Georgie, whose Limberjack contortions visibly morph into .. well.. another woman. Hoover's characterization, changes in a welcome way. Eiding changes, too.. Stepping from his lonely bench . out for a walk.. to discovery of what may become the joy of life.

My being pissed off because I've been ghosted by this PR guy had me all over Facebook looking for  an invitation to review this show. 

.  The PR invitation never came, but with grace, Mr. Watson  responded to my 'what the heck?!' message.    

Very much appreciated.  

I did not attend on Mr. Watson's comp. And, I  did not promise a rave as I tend to not gush much unless something touches me artistically and/or emotionally. The Story of Alex and his Lost Love: lonely tears  melding with Georgie's unhappy tale of being irrevocably erased from a lover's  dance card are touching stories.  Their friendship blossoms in a genuine and beautiful  way.

The beats and complimentary business of great stage pictures  with subtle music make for a professional production.

Ordinarily, I am provided the basic information: the dates and cast and crew of the plays I review.  Because the PR rep probably won't send the info, here's a link to the website.  I love the graphic for the poster.   https://www.skylighttheatre.org/heisenberg.

Please copy and paste.. 

"Heisenberg" 

by Simon Stephens 

Directed by Cameron Watson  Continuing at The Skylight Theatre  right next to the Los Feliz Movie House on Vermont. 

Parking is a challenge! Go early.

See this show and tell The Skylight that   onstagelosangeles sent ya..

michael sheehan 

 

Wednesday, November 26, 2025

Heisenberg at The Skylight

What looks like a really artsy two hander at The Skylight on Vermont in Los Angeles;  "Heisenberg" by Simon Stephens remains a mystery. 

That's Juls  and Paul. Photo by Jeff Lorch.

Evidently, I am Facebook pals with Paul Eiding  who plays Alex.  Juls Hoover plays Georgie.  I am not FB friends with her.   Cameron Watson, the director of this piece is a FB friend.   That's how I learned that the show was going up.

Evidently, the PR guy for the show has decided to ghost me, so this is just a note to say that this guy is the least effective "Public Relations for theatre person" I've ever dealt with. In the past, his lack of communication has prevented me from seeing at least one show that was so good I wanted to review it again to see if it stood up. Another small company in LA whose work I have applauded has left me in the cold. That's the Road on Magnolia.

Why review theatre?  I want to share with potential audiences and the producers and the casts of the shows that I see.  I function as an objective   and appreciative fan for what I see.

A review is a report and a comment and a brief synopsis most of the time.  I'll wax poetic if something grabs me and I'll point out some good even in the worst productions I've seen.   Once I complimented the set and costumes of a play and listed the cast and crew without comment.  In retrospect, it deserved a pan that would have blistered the Bard.

Because I've been a local critic for theatre for over twenty years, including for Daily Variety and the long ago Drana-Logue (Assignment Editor Polly Warfield was a doll!)... This morning, having read one review  of praise for Heisenberg by a respected critic, Terry Morgan, I'm rubbing some salve on my bruised ego to encourage readers in Los Angeles to get the info on when the show is playing and go. Photos of the set are spectacular.  

I've contacted the director, Mr. Watson, asking if he'd like me to review this play and have not heard back.. Ironically.. my loyal readership, headed for a 90,000 hit count.. would be likely to take my recommendation.. so.. in a left handed way. here it is..

It's expensive to mount a show like this at a rental space like The Skylight. Every patron is a gift.. and when we are lucky, the gift is returned with memorable performances and productions. .

Why take this p.r. putz to task? Because .. as a long time Los Angeles theatre critic I feel that I deserve some respect.  I will never guarentee a rave..  and.. because I'll probably not see this show.. the potential for an honest assessment goes begging.

I know this putzy PR guy has been let go from at least one local company and I was happy to see a show recently at their space where new works go up I was welcomed by a  delightful new PR person who treated me as a peer and with kindness.

Should Mr Watson or Paul Eiding or anyone respond with a request for me to review?  I'll try to make it to see the play.  May / December romance seems like a thing to me.. and it's not Harold and Maude!

Michael Sheehan

onstagelosangeles


Sunday, November 9, 2025

HELLO, MY NAME IS.. MOVING ARTS.

MOVING ARTS presents

HELLO, MY NAME IS  by Amy Dellagiarino. A world premiere!


Director 
Darin Anthony takes us to what feels a lot like the  Heaven's Gate cult that believed that they were headed somewhere in 1997.  Try as I might to discourage curtain speeches and such, we enter the house. The play in progress.  

Then a little curtain speech and a recorded announcement.  Then.. getting back to the play.... sigh.

Kiki and Reagan are seated in silent meditation.  The room that they share is spare: bunk bed, desk and chair, two large zafu cushions. And.. a large  photo of Jay, their spiritual leader poised to take his 'children' to 'metamorphosis..'

Kiki (Ronni Page)  is having a tough time sitting and asks a lot of questions..Reagan (Rebecca Larson)  sits... un-flustered.. well, for a little while. She is the senior mentor.

Micah (Brandon Bales) is a new guy to the group: amusingly  insecure.

Chase (Bradley Bazile) is easily annoyed and a true believer.. Sycophant? Well.. pretty much.

Getting into the plot after a moment, it's clear that the pecking order comes from devotion to Jay. (Juan Monsalvez) who is  the guru with a plan..

We bicker and annoy each other. Dawn is breaking. We wait for 'the chimes..'

At some point, it becomes clear that there's trouble brewing and the dissolving faith of each of the faithful asks questions that lead to a sticky point in the plot.  It nags at me, but to discuss it would be to spoil the clever action .

Back to Heaven's Gate ..or Jonestown in 1978.  When, for one reason or another, seemingly ordinary folks are drawn  to the 'family' atmosphere of like minded others,  there may be a reason to fall in line.  My issue with the plot is that in exposition, initially, we don't get the full picture of what these characters, Micah for only ninety days and Reagan,  the deepest, for five years. What have each of them been actually doing?  Like a well known local to LA cult, do they work and pay into the collective?

As the story develops in real time, Micah's anxiety and genuinely annoying demeanor turns on 'what if" and WHAT IF?   It sure is quiiet around here.....

Darin Anthony's direction keeps the story moving a pace on Justin Huen's perfect set. Sometimes the dialogue gets a little frantic, but when someone is  expecting a 'metamorphosis' that will send them to some longed for  Nirvana?   And, things are not adding up??  Things are crumbling and everyone is hungry. What about the chimes??

Did the Heaven's Gate devotees transcend their physical luggage? 

Can  we sit in meditation long enough to discover our way to our better selves?  

There's some physical business that could use some work and a split focus now and then that is a choice, probably for a reason.  These are minor notes as the show itself tumbles along, well timed to what seems to be a proper conclusion. 

Each actor nails it. And, in spite of my questions about some missing exposition, I hope you will head to Moving Arts and support this well done World Premiere.  It's what Moving Arts does sincerely:  It supports new authors and new ideas.  

LR: Brandon Bales, Bradley J Bazille, Roni Paige, Juan Monsalvez, Rebecca Larsen Photo By Eric Keitel


CAST:

Ronni Page – Kiki

Rebecca Larson – Reagan

 Brandon Bales– Micah

Bradley Bazile – Chase

Juan Monsalvez – Jay

CREW

Playwright:  Amy Dellagarino

Director: Darin Anthony

Producer: Laura Buckle

Producer: Joe Camareno

Scenic & Lighting Design: Justin Huen

Sound Design: Warren Davis

Costume Design: 

Keelyn McDermott

Production Stage Manager 

Keelyn McDermott

Moving Arts Theater proudly announces the World Premiere of
new play Hello, My Name Is… A darkly satirical comedy about losing your way on the
journey to find yourself.
What do you do when the world makes no sense? Some people meditate. Some people
travel. And some people… join a cult.
Who:
Hello, My Name Is… was created and developed under Dana Schwartz’s keen eye as
part of Moving Arts’ MadLAB, play development program.
Produced by Laura Buckles and Joe Camareno; Directed by award-winning director
Darin Anthony; Costumes by Keelyn McDermott; set and light design by Justin Huen; sound design by Warren Davis; props by Dana Schwartz.
This cast in alphabetical order:
Brandon Bales, Bradley J. Bazile, Rebecca Larsen, Juan Monsalvez, and Roni
Paige.
Where:
Moving Arts Theater
3191 Casitas Avenue, Los Angeles, CA 90039
323-472-5646 - info@movingarts.org
When:
PREVIEW: Thursday, November 6th at 8 PM & Friday, November 7th at 8 PM
RUN: Saturday, November 8th to Sunday, December 14th - Friday, Saturday, Monday at
8 PM & Sunday at 4 PM Check website for exact dates and times:
https://movingarts.ludus.com/index.php
How:
Tickets range from $10 to $33 and can be purchased HERE:
https://movingarts.ludus.com/ind